【曹禺话剧风格与外国戏剧】.pdf

提要本文试图用比较文学的方法,从整体的综合性的研究角度,探讨曾禺剧作风格与外国戏剧的关系.全文共三章.第一章探讨曹禺现实主义悲剧风格的确立及其特色.文章认为曹禺的创作个性显示着悲剧感强、对现实的感性方面有强烈的感受力,激情冲动大于理性思考的特点,而这又鲜明地显示在他的创作风格中。以《雷雨》作为奠基作的整个风格体系,始终为一个激烈。凝重,压抑的基调所贯穿。但曹禺的风格在稳定的基调上又呈现变化的状态,曹禺寻找着别一种情调,在剧甲注入深沉悠长的诗意,使风格具有双重音调第二章讨论曹禺风格发展轨迹中的外采影响.文章认为曹禺风格发展的每一步都能在外国剧作家中找到渊源。

Abstract:In.thepresent thesis,lattempt to research intorelationsbetween TsaoYus dramaticstyleandtheforeigndramafrom asystematic and synthetic perspective by menasof comparative literature.The Whole thesis is divided inot three Chapters ThefirstChapter discusses the formation ofTsao Yus reelistica

The third chapter expounds the unique valueoftheStyleofTsaoyusmodern dramaI think Tsao yus moderndrama turns onanewpageinthedevelogmentofmodern drama inchinawtth:its distinctive iaeology and artistic language During the comparatively silent period in the development of modern drama in china.